Here is the conclusion of this article, begun in this post.
Man is always seeking for beauty, and yet he is unaware of the treasure of beauty which is hidden in his own heart. He strives after it throughout his whole life. It is as if he were in pursuit of the horizon: the further he proceeds, the further the horizon has moved away. For there are two aims: the one is real and the other false. That which is false is momentary, transitory, and unreliable; wealth, power, fame, and position are all snatched from one hand by the other. Therefore in the language of the mystic this is called Maya*; its nature is to change constantly. But our soul’s longing is to hold on to something, to grasp something which we can depend upon. If man seeks a position, he feels, ‘If only I could find something which would be permanent, something I could depend upon.’ If he seeks a friend his first thought is to find a friend upon whom he can depend. Constancy is more valuable than anything else in friendship. Man wants something in life upon which he can rely; and this shows, whether he believes in a deity or not, that he is constantly seeking for God. He seeks for Him not knowing that he is seeking for God. Nevertheless, every soul is pursuing some reality, something to hold on to, trying to grasp something which will prove dependable, a beauty that cannot change and that one can always look upon as one’s own, a beauty that one feels will last forever. And where can one find it? Within one’s own heart. And it is the art of finding that beauty, of developing, improving and spreading that beauty through life, and allowing it to manifest before the inner and outer view, which one calls the art of the mystic.
The artist, in the true sense of the word, is the king of the kingdom which is even greater than the kingdoms of the earth. There is a story known in the East of Farabi, the great singer, who was invited to the court of the Amir of Bokhara. The Amir welcomed him very warmly at the court, and, as the singer entered, went to the door to receive him. On coming into the throne-room the Amir asked him to take a seat. ‘But where shall I sit?’ said the singer. ‘Sit,’ the Amir said, ‘in any place that may seem fitting to you.’ On hearing this, Farabi took the seat of the king. No doubt this astonished the Amir very much, but after hearing the singer’s art he felt that even his own seat was not fitting, for he understood that his kingdom had a certain limitation, whereas the kingdom of the artist is wherever beauty prevails. As beauty is everywhere, so the kingdom of the artist is everywhere.
But art is only a door, a door through which one can enter a still wider area. At different times the religious have considered art to be something outside them; this has very often been due to a kind of fanaticism on the part of religious authorities. It is not only in the East, but in the West as well that one finds a tendency to separate art from religion. This does not mean that some great teacher of religion has taught it; it has come only from people who have not realized religion apart from its form. No one who has touched the depths of religion can ever deny the fact that religion itself is an art, an art which accomplishes the greatest thing in man’s life. And there can be no greater error than to make this art devoid of beauty.
In ancient times in all the Hindu and Buddhist temples and pagodas there was music, there was poetry, there was sculpture, and there was painting. In those times there were no printing presses, and no books could be published on philosophy and religion; but if one can find any scriptures expressing the ancient religious and philosophical ideas, they are in the ancient art. For instance, whatever sign can be found of the mysticism and the religion of ancient Egypt, of which so much has been said and so little is known, it is not in the manuscripts but in its art. Also the ideas of the Sanskrit age are still to be found in India engraved on the carved stones and rocks and temples. Travelers from the Western world often go to the East in order to see to what a degree of perfection Eastern art attained; but very few really know that art not only strove for perfection in those days, but that it was used as a means of communication by those who could not read.
The art of ancient Greece too is a sign and proof of great perfection in divine wisdom. Every movement that we see in Greek art is not only a graceful movement but has a meaning; and every statue expresses a certain meaning in its attitude, if only a person can read it. From this we learn that intuition is necessary both for the making of a work of art and for the understanding of it; and that is the very thing which the human race today seems to be losing more than at any other time in the world’s history. One might ask why man has lost that intuitive faculty. It is because he has become so absorbed in material gain that he has become as it were intoxicated by the worldly life; and intuition, which is his birthright and his own property, is lost from his view. This does not mean that it is gone from him; it only means that it has become buried in his own heart.
We are vehicles or instruments that respond. If we respond to goodness, goodness becomes our property. If we respond to evil, then evil becomes our property. If we respond to love, then love becomes our possession. If we respond to hatred, hatred becomes our life. And if we respond to the things of the earth so much that our whole life becomes absorbed in worldly things, then it is quite natural that we should not respond to those riches which are within us and yet so far removed from us. Intuition is not something that a person can learn by reading books, nor is intuition a thing that one can buy and sell. Intuition is the very self and the deepest self of man, and it can be realized by that soberness which is so very desirable in life. Absence of intuition means absence of soberness.
* Maya in Sanskrit means illusion, or a magic show in which what is seen is not reliable, and therefore by its constantly changing appearance conceals the spiritual truth.